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ÑÅÍÆÅÐÈ Singeries
ÑÅÐÀ Æîðæ Seurat, Georges
ÑÅÐÂÐÀÍÊÑ Âèêòîð Servranckx, Victor
ÑÅÐÎÂ Âàëåíòèí Àëåêñàíäðîâè÷ Serov,
Valentine Alexandrovitch
ÑÅÐÎÄÈÍÅ Äæîâàííè Serodine, Giovami
ÑÅÐÐÀ Seira
ÑÈËÓÝÒ Silhouette
ÑÈÌÂÎËÈÇÌ Symbolisme
ÑÈÍÈÉ ÂÑÀÄÍÈÊ Der Blane Reiter
ÑÈÍÎÏÈß Sinopia
ÑÈÍÜÅÈ-ÌÅÐØÅ Ïàë Svnyei-Merse, Pal
ÑÈÍÜÎÐÅËËÈ Ëóêà Signorelli, Luca
ÑÈÍÜÎÐÈÍÈ Òåëåìàêî Signorini, Telemaco
ÑÎÅÄÈÍÅÍÍÛÅ ØÒÀÒÛ ÀÌÅÐÈÊÈ Etats- Unis
ÑÎËÀÐÈÎ Àíäðåà Solario, Andrea
ÑÎËÈÌÅÍÀ Ôðàí÷åñêî Solimena, Francesco
ÑÎÐÎËÜß-È-ÁÀÑÒÈÄÀ Õîàêèí Sorolla ó Bastida, Joaquin
ÑÎÒÎ Ðàôàýëü Soto,
Jesus-Rafael
ÑÎÖÈÀËÈÑÒÈ×ÅÑÊÈÉ ÐÅÀËÈÇÌ Realisme
socialiste
ÑÏÀÍÖÎÒÃÈ Äæîâàííè Ìàðòèíî Spanzotti,
Giovanni Martino
ÑÏÅÍÑÅÐ Ñòåíëè Spencer, Stanley
ÑÒÀÁÁÑ Äæîðäæ Stubbs, George
ÑÒÀËÜ Íèêîëà äå Stael, Nicolas de
ÑÒÀÍÖÈÎÍÅ Ìàññèìî Stanizone, Massimo
ÑÒÀÐÍÈÍÀ Ãåðàðäî Stamina, Gherardo
ÑÒÅÂÅÍÑ Slevens
ÑÒÅËËÀ Äæîçåô Stella, Joseph
ÑÒÐÈÃÅËÜ Áåðíõàðä Strigel, Bemhard
ÑÒÐÎÖÖÈ Áåðíàðäà, ïðîçâàííûé Êàïïó÷÷èíî,
à òàêæå Ïðåòå Äæåíîâåçå Strozzi,
Bemardo, dit II Cappuccino, puis II Prete Genovese
ÑÒÐØÅÌÈÍÑÊÈÉ Âëàäèñëàâ Sfrzeminski, Wladyslaw
ÑÒÓÄÈÎËÎ Studiolo
ÑÓËÀÆ Ïüåð Souiages, Pierre
ÑÓËÎÀÃÀ-È-ÑÀÂÀËÅÒÀ Èãíàñèî Zuioaga ó Zabaleta,
lgflacio
ÑÓÏÐÅÌÀÒÈÇÌ Suprematisme
ÑÓÐÁÀÐÀÍ Ôðàíñèñêî äå Zurbaran, Francisco de
ÑÓÑÒÐÈÑ Ëàìáåðò, ïðîçâàííûé Ëàìáåðò èç Àìñòåðäàìà Sustris, Lambert, dit Lambert d"Amsterdam
ÑÓÒÈÍ Õàèì Souline, Chaim
ÑÓÕÀß ÈÃËÀ Pointe-seche
ÑÔÓÌÀÒÎ Sfumato
ÑÕÀËÊÅÍ Ãîòôðèä Êîðíåëèñ Schalcken, Gotfried Comelisz
ÑÖÅÍÀ ÑÎÁÅÑÂÄÎÂÀÍÈß Conversation piece
ÑÞÁËÅÉÐÀ Ïüåð Subleyras, Pierre
ÑÞÐÐÅÀËÈÇÌ Surrealisme
ÒÀËÄÅÎ ÄÈ ÁÀÐÒÎËÎ Taddeo di Bartolo
ÒÀÌÀÉÎ Ðóôèíî Tamayo, Rufino
ÒÀÍÃÈ Èâ Tanguy, Yves
ÒÀÍÖÈÎ ÄÀ ÂÀÐÀËËÎ ïðîçâèùå Àíòîøî ä'Ýððèêî Òàïzio da
Varallo, Antonio d'Errico, dit
ÒÀÏÈÅÑ Àíòîíè Tapies, Antoni
ÒÀÑÑÅËÜ Æàí Tassel, Jean
ÒÀÒËÈÍ Âëàäèìèð Åâãðàôîâè÷ Òàéòå, Vladimir
Evgrafovifch
ÒÅÀÒÐ È ÆÈÂÎÏÈÑÜ Theatre et peinture
ÒÅÌÏÅÐÀ Tempera
ÒÅÍÅÁÐÈÑÒÛ Tenebrosi, les
ÒÅÍÈÐÑ Äàâèä Ìëàäøèé Teniers, David II
ÒÅÐÁÎÐÕ Ãåðàðä Ter Borch,
Gemrd
ÒÅÐÁÐÞÃÃÅÍ Õåíäðèê ßíñ Ter Brugghen, Hendrick Jansz
Ò¨ÐÍÅÐ Äæîçåô Ìýëëîðä Óèëüÿì Turner, Joseph Mallord William
ÒÈÀÐÈÍÈ Àëåññàíäðî Tiarini, Alessandro
ÒÈÁÀËÜÄÈ Ïåëëåãðèíî Tibaldi, Pellegrino
ÒÈÍÒÎÐÅÒÒÎ ïðîçâèùå
ßêîïî Ðîáóñòè Tintoretto,
Jacopo Robusti, dit
ÒÈÑÑÎ Æàê-Æîçåô, ïðîçâàííûé
Äæåéìñ Tissot, Jacgues-Joseph, dit
James
ÒÈÖÈÀÍ ïðîçâèùå
Òèöèàíî Âå÷åÿëèî Titien,
Tivano Vecellio, dit
ÒÈØÁÅÉÍ Tischbein, les
ÒÈØÁÅÉÍ Èîãàíí Ãåíðèõ
Ñòàðøèé, ïðîçâàííûé Òèøáåøîì èç Êàññåëÿ
ÒÈØÁÅÉÍ Èîãàíí Ôðèäðèõ
Àâãóñò
ÒÈØÁÅÉÍ Èîãàíí Ãåíðèõ
Âèëüãåëüì, ïðîçâàííûé øòå-Òèøáåéí
ÒÎÁÈ Ìàðê Tobey, Mark
ÒÎÉÁÅÐ-ÀÐÏ Ñîôè Taeuber-Arp, Sophie
ÒÎÊÊÅ Ëóè Tocque, Louis
ÒÎÌÀ Õàíñ Thoma, Hans
ÒÎÌÌÀÇÎ ÄÀ ÌÎÄÅÍÀ Tommaso da Modena
ÒÎÍÄÎ Tondo
ÒÎÐÎÏ Éîõàííåñ Òåîäîð, ïðîçâàííûé ßíîì Toorop, Johannes
Theodorus, dit Jan
ÒÎÐÐÅÑ-ÃÀÐÑÈÀ Õîàêèí Torres- Garcia, Ëàäèò
ÒÎ×ÊÀ ÇÐÅÍÈß Point de vue
ÒÐÀÂÅÐÑÈ Ãàñïàðå Traversi, Gaspare
ÒÐÀÈÍÈ Ôðàí÷åñêî Traini, Francesco
ÒÐÀÍÑÀÂÀÍÃÀÐÄ Trans-avant-garde
ÒÐÅÂÈÇÀÍÈ Ôðàí÷åñêî Trevisani, Francesco
ÒÐÈÏÒÈÕ Triptyque
ÒÐÎÃÅÐ Ïàóëü Troger, Paul
ÒÐÎÉÎÍ Êîíñòàí Troyon, Constant
ÒÐÎÑÒ Êîðíåëèñ Troost, Comelis
ÒÐÓÀ Æàí Ôðàíñóà äå Troy, Jean Francois de
ÒÐÓÁÀÄÓÐ ñòèëü Troubadour, style
ÒÓÀÉÅÍ ïðîçâèùå Ìàðèè
×åðìèíîâîé Toyen, Marie Cerminova, dit
ÒÓËÓÇ-ËÎÒÐÅÊ
ïðîçâèùå Àíðè Ìàðè Ðàéìîíä äå
Òóëóç-Ëîòðåê-Ìîíôà Toulouse-Lautrec, Henri Marie Raymond de ToulouseLautrec-Monfa,
dit
ÒÓÌÁËÈ Ñàé Twombly, Ñó
ÒÓÐÀ Êîçèìî Turn, Cosimo
ÒÓÐÍÜÅ Íèêîëà Toumier, Nicolas
ÒÓØÜ Encre
ÒÜÅÏÎËÎ Tiepolo, les
ÓÀÑÑ Ðåíå-Àíòóàí Houasse, Rene-Antoine
ÓÃÅ Õàéìå Huguet, Jaime
ÓÃÎËÈÍÎ ÄÈ ÍÅÐÈÎ Ugolino di Nerio
ÓÃÎËÜ Fusain
ÓÄÐÈ Æàí-Áàòèñò Oudry, Jean-Âàðtiste
ÓÈËÑÎÍ Ðè÷àðä Wilson, Richard
ÓÈÑÒËÅÐ Äæåéìñ Ìàê
Íåëé Whistler, James Mac Neill
ÓÎÐÄ Äæåéìñ Ward, James
ÓÎÐÕÎË Ýíäè Warhol, Andy
ÓÎÒÑ Äæîðäæ Ôðåäåðèê Watts, George Frederick
ÓÒÐÀÒÛ Epidermure
ÓÒÐÈËËÎ Ìîðèñ Utrillo, Maurice
Ó××ÅËËÎ ïðîçâèùå
Ïàîëî äè Äàíî Uccello, Paolo di Dono, dit
ÓÝÑÒ Áåíäæàìèí West, Benjamin
ÔÀÁÐÈÖÈÓÑ Êàðåë Fabritius, Corel
ÔÀËÜÑÒÐ¨Ì Ýâèíä Fahlstrom, Ovind
ÔÀÍÒÅÍ-ËÀÒÓÐ Àíðè Fantin-Latour, Henri
ÔÀÒÒÎÐÈ Äæîâàííè Fattori, Giovanui
Ô¨ÉÅÐÁÀÕ Àíñåëüì Feuerbach, Anselm
ÔÅÉÍÈÍÃÅÐ Ëèîíåëü (Ëàéîíåë) Feininger,
Lyonel
ÔÅÉÒ ßí (Èîõàííåñ) Fyt, Jan (Johannes)
ÔÅÐÍÀÍÄÅÑ Àëåõî Femandet, Alejo
ÔÅÐÐÀÐÈ Ãàóäåíöèî Ferrari, Gaudenvo
ÔÅÐÐÀÐÈ Äåôåíäåíòå, ïðîçâàííûé Äåôåíäåíòå Ôåððàðè äà
Êèâàññî Ferrari, Defendente, dit Defendente Ferrari da Chivasso
ÔÅÒÒÈ (ÔÅÒÈ) Äîìåíèêî Fetti
(Feti), Domenico
ÔËÀÍÄÐÅÍ Èïïîëèò Fiandrin, Hippolyte
ÔËÀÍÄÐÈß Flandres (Flandre)
ÔËÅÃÅËÜ Ãåîðã Flegel, Georg
ÔËÈÍÊ Ãîâåðò Flinck, Govert
ÔËÎÐÈÑ Ôðàíñ, ïðîçâàííûé Ôëîðèñ
äå Âðèíäò Floris, Frans, dit Floris de Vriendt
ÔËÞÊÑÓÑ Fluxus
ÔÎÂÈÇÌ Fauvisme
ÔÎÍÒÀÍÀ Ëó÷èî Fontana, Lucio
ÔÎÍÒÅÍÁËÎ Øêîëà Fontainebleau, ecole de
ÔÎÏÏÀ Âèí÷åíöî Foppa, Vincenzo
ÔÎÐÌÀÒ Format
ÔÎÐÒÓÍÈ Ìàðèàíî Fortuny, Mariano
ÔÎÑÒÅËÜ Âîëüô Vostell, Wolf
ÔÎÒÎÃÐÀÔÈß È ÆÈÂÎÏÈÑÜ Pholographie et
peinture
ÔÎÒÎÌÎÍÒÀÆ Photomontage
ÔÎÒÐÈÅ Æàí Fautrier, Jean
ÔÐÀÃÎÍÀÐ Æàí Îíîðå Fragonard, Jean Hornre
ÔÐÀÍÊÅÍ Francken, les
ÔÐÀÍÊÅÍÒÀËÅÐ Õåëåí Frankenthaler, Helen
ÔÐÀÍÊÅÍÒÀËÜÑÊÀß ØÊÎËÀ
Frankenthal, ecole de
ÔÐÀÍÖÈß France
ÔÐÅÉÄ Ëþöèàí Freud, Lucian
ÔÐÅÌÈÍÅ Ìàðòåí Freminet, Martin
ÔÐÅÑÊÀ Fresque
ÔÐÈÄÐÈÕ Êàñïàð Äàâèä Friedrich, Caspar David
ÔÐÈÇ Frise
ÔÐÝÍÑÈÑ Ñýì, ïðîçâèùå Ñýìþýëÿ Ëüþñà
Francis, Samuel Lewis, dit Sam
ÔÓÆÈÒÀ (ÔÓÄÇÈÒÀ) Öóãóõàðó (Ëåîíàð) Foujita, Tsugouharu
(Leonard)
ÔÓÊÅ Æàí Fouquet, Jean
ÔÓÐÈÍÈ Ôðàí÷åñêî Furini, Francesco
ÔÓÒÓÐÈÇÌ Fulurisme
ÔÞÑËÈ (ÔÞÑÅËÈ) Èîãàíí Ãåíðèõ Fussli (Fuseli), Johann Heinrich
ÕÀÉÅÖ Ôðàí÷åñêî Hayez, Francesco
ÕÀÉÍÖ ÑÒÀÐØÈÉ Èîçåô Hemtz le Vieux, Josef
ÕÀËÑ Ôðàíñ Hals, Frans
ÕÀÌÈËÜÒÎÍ Ðè÷àðä Hamilton, Richard
ÕÀÌÌÅÐØÎÉ Âèëüõåëüì Hammershoi, Vilhelm
ÕÀÍÒ Óèëüÿì Õîëìåí Hunt, William Holman
ÕÀÐÒÓÍÃ Õàíñ Hartung, Hans
ÕÀÓÑÌÀÍ Ðàóëü Hausmann, Raoul
ÕÅÄÀ Áèëëåì Êëàñ Heda, Willem Claesz
ÕÅÉÄÅÍ (ÕÅÉÄÅ) ßí âàí äåð Heyden (Heyde), Jan van der
Õ¨ÉÑÓÌ âàí Huysum, van
ÕÅÊÊÅËÜ Ýðèõ Heckel, Erich
ÕÅËÑÒ Áàðòîëîìåóñ âàí
äåð Helst, Bartholomeus van der
ÕÅÌ ßí Äàâèäñ äå Íååò, Jan Davidsz de
ÕÅÌÅÑÑÅÍ ßí Ñàíäåðñ âàí Hemessen, Jan Sanders van
ÕÅÌÑÊÅÐÊ Ìàðòèí ßêîáå
âàíí Heemskerck, Maerten Jacobsz van
ÕÈËËÈÀÐÄ Íèêîëàñ Hfilliard, Nicholas
ÕÎÁÁÅÌÀ Ìåéíäåðò Hobbema, Meindert
ÕÎÃÀÐÒ Óèëüÿì Hogarth, William
ÕÎÄËÅÐ Ôåðäèíàíä Hodler, Ferdinand
ÕÎÊÍÈ Äýâèä Hockney, David
ÕÎËÑÒ Òîilå
ÕÎÌÅÐ Óèíñëîó Homer, Winslow
ÕÎÍÒÕÎÐÑÒ Ãåððèò âàí Honthorst, Gerrit van
ÕÎÏÏÅÐ Ýäâàðä Hopper, Edward
ÕÎÔÌÀÍÍ Õàíñ Hofmann, Hans
ÕÎÕ Ïèòåð äå Hooch (Hooghe, Hoogh), Pieter de
ÕÓÀÍ ÄÅ ÁÎÐÃÎÍÜß Juan de Borgona
ÕÓÀÍ ÔËÀÍÄÐÑÊÈÉ Juan de Flandes
ÖÂÅÒ Couieur
ÖÂÅÒÀ ÄÎÏÎËÍÈÒÅËÜÍÛÅ Couleurs complementaires
ÖÅÕ Corporation
ÖÎÏÏÎ ïðîçâèùå Ìàðêî äè Àíòîíèî äè Ðóäæåðî Zoppo, Ìàêî di Antonio di Ruggero,
dil
ÖÎÐÍ Àíäåðñ Zorn, Anders
ÖÎÔÔÀÍÈ Èîãàíí Zoffany,
Johann
ÖÓÊÊÀÐÅËËÈ Ôðàí÷åñêî Zuccareili, Francesco
ÖÓÊÊÀÐÎ Òàääåî Zuccaro,
Taddeo
×ÅÐÀÍÎ ïðîçâèùå Äæîâàííè Áàòòèñòà Êðåñïè Cerano, Giovanni Battista
Crespi, dit
×ÅÐÒÅÆ Åðurå
×ÅÐÓÒÈ Äæàêîìî, ïðîçâàííûé Ïèòîêêåòòî Ceruti,
Giacomo, dit II Pitocchetto
רÐ× Ôðåäðèê. Ýäâèí Church, Frederick
×ÅÕÈß (ÁÎÃÅÌÈß) Boheme
×ÅÕÎÑËÎÂÀÊÈß Tchecoslovaquie
×ÈÃÎËÈ ïðîçâèùå Ëþäîâèêî Êàðäè Cigoli,
Ludovico Cardi, dit
×ÈÌÀÁÓÝ ïðîçâèùå ×å÷íè äè Ïåïè Cimabue, Cenni di Pepi, dit
×ÈÌÀ ÄÀ ÊÎÍÅËÜßÍÎ ïðîçâèùå Äæîâàííè Áàòòèñòà ×èìà Cima da Conegliano, Giovauni Batfista Cima,
dit
ØÀÃÀË Ìàðê Chagall, Ìàê
ØÀÌÏÅÍÜ (ØÀÌÏÀÍÜ) Ôèëèïï äå Champaigne
(Champagne), Philippe de
ØÀÍ Áåí Shahn, Ben
ØÀÐÄÅÍ Æàí-Áàòèñò-Ñèìåîí Chardin,
Jean-Baptiste-Simeon
ØÀÑÑÅÐÈÎ Òåîäîð Chasseriau, Theodore
ØÂÅÉÖÀÐÈß Suisse
ØÂÅÖÈß Suede
ØÂÈÍÄ Ìîðèö ôîí Schwind,
Moriti von
ØÂÈÒÒÅÐÑ Êóðò Schwitters, Kurt
بÍÔÅËÜÄ Èîãàíí Ãåíðèõ Schonfeld, Johann Heinrich
ØÅÔÔÅÐ Àðè Scheffer, Ary
ØÈËÅ Ýãîí Schiele, Egon
ØÈËÅÐ ×àðëüç Sheeler, Charles
ØÈÌÀ Éîçåô Sima, Josef
ØËÅÌÌÅÐ Îñêàð Schlemmer, Oskar
ØÌÈÄÒ- ÐÎÒËÓÔÔ Êàðë Schmidt Rottluff,
Karl
ØÍÀÁÅË Äæóëèàí Schnabel, Julian
ØÍÎÐÐ ÔÎÍ ÊÀÐÎËÜÑÔÅËÜÄ Þëèóñ Schnoir von
Carolsfeld, Julius
ØÎÍÃÀÓÝÐ Ìàðòèí Schongauer,
Martin
ØÏÀËÅÐÀ Tapisserie
ØÒÀÍÄÀÐÒ Etendard
ØÒÈÌÌÅÐ Òîáèàñ Stimmer, Tobias
ØÒÈÕÅËÜ Burin
ÝÂÅÍÅÏÓË Àíðè Evenepoel, Henri
ÝÂÅÐÄÈÍÃÅÍ Everdingen
ÝÂÎÐÒ Õàíñ Eworth, Hans
ÝÉÊ ßí âàí Eyck, Jan van
ÝÉÒÅÂÄË Èîàõèì Wtewael, Joachim
ÝÊÊÅÐÑÁÅÐÃ Êðèñòîôôåð Âèëüõåëüì Eckersberg,
Christoffer Wllhelm
ÝÊÊÌÀÍ Îòòî Eckmann, Otto
ÝÊÑÏÐÅÑÑÈÎÍÈÇÌ Expressionnisme
ÝËÈÎÍ Æàí Íåliîï, Jean
ÝËÜ ÃÐÅÊÎ ïðîçâèùå
Äîìåíèêî Òåîòîêîïóëè El Greco, Domenikos
Theotokopoulos, dit
ÝËÜÑÕÅÉÌÅÐ Àäàì Elsheimer, Adam
ÝÌÀËÜ È ÆÈÂÎÏÈÑÜ ÂÎ
ÔÐÀÍÖÈÈ Email et peinlure en France
ÝÍÃÅËÜÁÐÅÕÒÑÅÍ
Êîðíåëèñ Engelbrechtsen, Cornelis
ÝÍÃÐ Æàí Îãþñò
Äîìèíèê Ingres, Jean Augusts Dominique
ÝÍÊÀÓÑÒÈÊÀ Encaustique
ÝÍÑÎÐ Äæåéìñ Ensor, James
ÝÐÁÅÍ Îãþñò Herbin, Auguste
ÝÐÍÑÒ Ìàêñ Ernst, Ìàõ
ÝÐÐÅÐÀ ÑÒÀÐØÈÉ
Ôðàíñèñêî äå Herrera El Viejo,
Francisco de
ÝÑÊÈÇ Ebauche
ÝÑÊÈÇ ÆÈÂÎÏÈÑÍÛÉ Esquisse peinte
ÝÑÑÅÍÖÈß Essence
ÝÑÒÀÌÏ Estampe
ÝÑÒÀÌÏ ÖÂÅÒÍÎÉ Estampes en couleurs
ÝÑÒÅÂ Ìîðèñ Esteve, Maurice o
ÞÃÎÑËÀÂÈß Yougoslavie
ÞËÜ Éåíå Juel, Jens
ÞÝ Ïîëü Huet, Paul
ßÂËÅÍÑÊÈÉ Àëåêñåé ôîí (Àëåêñåé Ãåîðãèåâè÷) Jawlensky, Alexei von
ßÊÎÁÅËËÎ ÄÅËÜ ÔÜÎÐÅ Jacobello Del Fiore
ßÊÎÏÎ ÄÅ ÁÀÐÁÀÐÈ Jacopo de Barbari
ßÊÜÅÐÜÎ
Äæàêîìî Jaquerio, Giacomo
ßÍÜÅÑ
ÄÅ ÀËÜÌÅÄÈÍÀ Ôåðíàíäî Yanez De Almedina, Fernanda
ßÏÎÍÈÇÌ
Japonisme
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